Sunday, July 29, 2007
On Hiatus
Your ususally dutiful Magers & Quinn blogger is on vacation in Wyoming. I'll return on August 9. Until then, enjoy the scenery.--David E
Saturday, July 28, 2007
This Book Isn't Going to Sell Itself
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Click the pic for all the sordid details.--David E
Friday, July 27, 2007
Weird and Wonderful and Available Now 4
Oh, the things on the shelves. In the hope of finding suitable homes for some of the hidden gems in the stacks, I continue this irregular feature dedicated to the strange and strangely interesting stuff we stock. (I promise these are all real books in our store.)
Thursday, July 26, 2007
When We Get Behind Closed Doors--Part 2
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See my earlier post about the impact of Alsanea's novel on Saudi publishing here.--David E
Wednesday, July 25, 2007
Up and Down the Dial
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I don't know most of the songs she mentions, but I do love number seven: Richard Thompson's cover of "Oops... I Did It Again," so I trust the other recommendations are just as good.
If you want more, check out Vowell's book Radio On for even more music writing.
Tuesday, July 24, 2007
When We Get Behind Closed Doors
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Reports Reuters: "Saudi Arabia's literary output doubled in 2006, with half of the authors women, and publishing industry insiders suggest the growing interest is partly due to Alsanea's book, which centers on four women from affluent homes who must navigate a minefield of rules and taboos on sex, marriage and social caste to get and keep their men."
Granted, only 50 books were published in the whole of Saudia Arabia last year. Most of the country's authors publish abroad, rather than face the government's censorship machinery.--David E
Back to School
The University of Texas has posted the reading list for its "Freshman Reading Roundup." New students can choose from any of about forty titles to read this summer before classes begin.
For those of us not going to school this fall, the list is still a good source of inspiration for your summer reading. Titles range from An Inconvenient Truth and Black Like Me to Yevgeny Zamatin's Soviet-era sci-fi novel We.
For those of us not going to school this fall, the list is still a good source of inspiration for your summer reading. Titles range from An Inconvenient Truth and Black Like Me to Yevgeny Zamatin's Soviet-era sci-fi novel We.
Saturday, July 21, 2007
Faking It--Part 2
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Inklings, 1940s. English authors with strong Christian beliefs and a preference for pre-19th-century poetry and myth: C. S. Lewis, Perelandra (1943); J. R. R. Tolkien, The Lord of the Rings (1954); Charles Walter Stansby Williams, All Hallows’ Eve (1945).
The Inklings met at a pub named the Eagle and Child (pictured above), but more commonly known as the Bird and Baby.--David E
Friday, July 20, 2007
I Propose... Never Mind
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Amazon.com has posted William Gibson's proposal (.pdf) for the book which eventually became his forthcoming novel Spook Country, to be released August 7. The proposal sketches a story about two readers of a blog called "Warchalker" who are drawn into the blogger's search for a shipping container of hundred dollar bills liberated from the American occupying forces in Iraq and now lost in transit somewhere in the world. Trouble is, unnamed bad guys also want the millions. A novel ensues.
And how much of this actually made it into Gibson's eventual book? I've read Spook Country, and I can say with authority, not much at all. There's a shipping container, and there are bad guys, and that's about it. As Gibson says:
Amazon.com: ...I'm curious how you progress from one group of characters into another group as you're planning the book or writing it.
Gibson: Well, I think the key thing there is that I never really believe in the proposal.
Amazon.com: Does your publisher believe in it?
Gibson: I don't know--it seems to be a sort of ritual object and I've actually been afraid to find out whether or not I could get a contract without one....
Read the entire interview here.--David E
Thursday, July 19, 2007
With My Little Eye
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Her methodology is simple:
- I see you reading.
- I guesstimate where you are in the book.
- I trip on over to the bookstore and make a note of the text.
- I let my imagination rip.
Mix & Mingle
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Mingle with guests including the poet Nikki Giovanni and Dave Zirin, author of Welcome to the Terrordome: The Pain, Politics and Promise of Sports. Then hear them speak about their work, their lives, and anything else they want to talk about over dinner.
Buy your tickets online or by calling 651/222-3242.
Wednesday, July 18, 2007
Imagine All the People... Gone--Part 2
Besides the usual praise and reviews, worldwithoutus.com has a very interesting slideshow depicting Manhattan in the 15,000 years after humans disappear and stop maintaining its infrastructure and a movie about what happens to houses which aren't kept up.--David E
Tuesday, July 17, 2007
The Other Murakami
Piercing is the story of two damaged people, victims of past child abuse, who find each other and work through their issues using an icepick, a Swiss army knife, and various other less-than therapeutic implements. It's also a love story, in a very, very dark way. (You can also read a review of Piercing in the Japan Times.)
Ryu Murakami's books are on a downward trajectory, each one darker and scarier than the last. It's a sickening rollercoaster past Tokyo's neon lights, and I love it.--David E
Saturday, July 14, 2007
Punctuated... And How
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And if any more proof was needed, you can find more than enough in the comments following David Crystal's article attacking Lynn Truss' "zero tolerance" policy towards punctuational incorrectness. Crystal really brought out the partisans. ("Contrary to what some posters above believe, the subjunctive has not disappeared in the English language, not at all." and "What I wrote was 'fully conjugated'. Your examples show the subjunctive is not fully conjugated. Indeed, it is not conjugated at all.") There are over 100 comments; it's fun reading.--David E
Friday, July 13, 2007
Be a Mensch: Visit Your Local Library
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- July 17: A Simple Story, by Shmuel Yosef Agnon
- July 24: The Lover, by Abraham B. Yehoshua
- July 31: The Mind-Body Problem, by Rebecca Goldstein
Newfound Tribe of Librarians Not Happy
So I'm not the only one who was irked by the New York Times' article on the newer, hipper librarian recently unearthed in deepest Brooklyn. (See my post "It's Hip to Be Pretty" here if you missed it.) Nicole Scherer at The Huffington Post has a nice roundup of snarky opinions from the blogosphere, particularly about the Times' depiction of the "guybrarian."
Thursday, July 12, 2007
007 @ 100
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The Guardian also reports the news, along with a satirical excerpt from the new novel, a segment in which Bond stares down his arch-rival Jaws, a thinly veiled contemporary British writer obsessed with his teeth.--David E
Wednesday, July 11, 2007
Put Your Pants On and Read
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Follow this link to see more on the story and a picture of what medieval underwear looked like.--David E
It's Hip to Be Pretty
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Of course, anyone who's ventured into the blogosphere has already encountered plenty of lively librarians; my favorite is Your Neighborhood Librarian.
And while we're objectifying the bookish, I'll point you towards the winner of Gawker.com's "Hot" Straight Men Of Book Publishing" contest. Enjoy.--David E
Tuesday, July 10, 2007
Faking It
Today the blog at Encyclopaedia Britannica begins a handy series of postings sure to help literary fakers everywhere. "20th-Century Literary Genres in a Nutshell: Part 1" lists movements and key authors. So if you're not clear on Acmeism ("Russian poets who reacted against the mystical, vague, and allusive qualities of symbolism: Anna Akhmatova, Chetki (1914); Osip Mandel’shtam, Kamen’ (1913)") or just want a quick refresher on the Black Mountain Poets ("1950s–1960s. Teachers and students of Black Mountain College (1933–1953) in North Carolina whose poetry was aligned with the rhythms and spontaneity of consciousness: Charles Olson, The Maximus Poems (1960); Robert Creeley, For Love: Poems, 1950–1960 (1962)."), this is the place for you.
This first post goes through D; further posts will come each week.--David E
This first post goes through D; further posts will come each week.--David E
Monday, July 9, 2007
Fly on the Shelves
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Sunday, July 8, 2007
The 80s Weren't So Good the First Time Around
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There, I feel better for venting. Thanks.--David E
Saturday, July 7, 2007
Embarassment of Riches
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"Blind author to hold 'clothing optional' book signing."
It seems a bookstore in Vermont is holding an after-hours reading by the author of Nudity & Christianity by Jim Cunningham, lifelong promoter of both causes through his "Theology of the Body Retreats." He calls his latest book (no pictures, by the way) his "magnum opus... the best of his twenty-three years of naturist publishing." Customers can get naked if they choose during the event.
Bring a towel, if you're attending, please.--David E
Friday, July 6, 2007
Hiding in Plain Sight
It tells the story of a backpacker's encounter with a kind Indian man who is perhaps more than he seems to be. (The picture at the top of the page gives a clue to his identity.)--David E
Thursday, July 5, 2007
Judging a Book
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Says Kidd, "[McCarthy] didn't even want his name on the front. We had to gently persuade him that that was not a good idea. So the cover just became this black hole." All well and good, but a little resistance from an author is no reason for such a poor cover, and no rationalizing about the colors reflecting the drabness of the book's grim subject matter really makes up for that.--David E
Wednesday, July 4, 2007
The Highs... The Lows
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Book with a Beer Chaser--July
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This month's book is Pretty Little Mistakes by Heather Mcelhatton. Like the Choose-Your-Own-Adventure books of your youth, this book contains hundreds of possible endings. Pick your favorite, debate with your friends, and even meet the author at this month's book club.
Books & Bars is not your typical book club. We provide an atmosphere for lively discussion of interesting authors, good food and drinks. You're welcome to come even if you haven't read the book.
Tuesday, July 3, 2007
A Whole World On a Napkin
The newest additions include work by Joshua Ferris and the very Esquire-appropriately-named Angela Pneuman. The backlist includes the mandatory story of sexual inconsequence by Jonathan Ames and Christopher Sorrentino's monologue from a paper company sales rep.--David E
Poor Richard, Poor
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(See the full article here.)
Sunday, July 1, 2007
What Light Details and FAQs
Information on our judges:
Maria Damon
Maria Damon teaches poetry and poetics at the University of Minnesota, where she is Professor of English. She is the author of many essays on poetry and poetics as well as The Dark End of the Street: Margins in American Vanguard Poetry (Minnesota UP) and the forthcoming Bagel Shop Jazz: Selected Essays for a Post-literary “America” (Iowa UP), co-author (with mIEKAL aND) of Literature Nation, Eros/ion, and pleasureTEXTpossession, and co-editor (with Ira Livingston) of the forthcoming Poetry and Cultural Studies: A Reader (Illinois UP). She is a fellow-traveler in the Flarf Collective.
Poetics Statement: I am enamored of the raw and the “wrong,” the micropoetries of everyday life, and so forth. Favorite poets right now: bpNichol, John Wieners, Adeena Karasick, Kamau Brathwaite, Alan Sondheim, Talan Memmott. What I’m reading right now: a pretty mediocre collection of critical essays on Hans Christian Andersen, and a pretty wonderful collection of Walter Benjamin’s unpublished notes, including a section of “Opinions et Pensées” of his toddler son.
Patricia Kirkpatrick
Patricia Kirkpatrick has published a poetry book, Century’s Road (Holy Cow! Press), two letterpress chapbooks, Orioles and Learning to Read, and books for young readers. Her awards include fellowships from the National Endowment for the Arts, Bush Foundation, Minnesota State Arts Board, Jerome Foundation, and, in 2006, the McKnight Fellowship Loft Award in Poetry. Poetry is forthcoming in The Poets Guide to the Birds, edited by Judith Kitchen and Ted Kooser, Prairie Schooner, and on Saint Paul sidewalks through the Saint Paul Everyday Poetry Project. She teaches in the MFA program at Hamline University where she is Poetry Editor for Water-Stone Review.
Poetics Statement: I’m a lyric poet: we want to sing! I’m intrigued when a ‘highly charged lyrical phrase,' colloquial even plain language, and/or experimental velocities express the inner life, dream and feeling. But the inner life takes place in a world where one civilization overtakes another, where ‘progress’ fractures landscapes, ways of life, and poetry too. Certain subjects interest me: birth, death, landscape, the historical moment in which we live, our power--or lack of power--as Americans. Yet no subject works separately from how a poem is made, and the creation of music and metaphor in poetry mean everything to me.
Carol Muske-Dukes
Carol Muske-Dukes is author of seven books of poetry, most recently Sparrow, a National Book Award finalist published by Random House, 2003. Her fourth novel, Channeling Mark Twain, from Random House, is in stores now. Carol’s collection of essays entitled Married to the Icepick Killer, A Poet in Hollywood was published in August of 2002. Her collection of reviews and critical essays, Women and Poetry: Truth, Autobiography and the Shape of the Self was published in the “Poets on Poetry” series of the University of Michigan Press, 1997. She is a regular critic for the New York Times Book Review and the LA Times Book Review. Her work appears everywhere from the New Yorker to L.A. Magazine and she is anthologized widely, including in Best American Poems, 100 Great Poems by Women and many others. She is professor of English and Creative Writing and founding Director of the new PhD Program in Literature and Creative Writing at the University of Southern California. She has received many awards and honors, including a Guggenheim fellowship, a National Endowment for the Arts fellowship, an Ingram-Merrill, the Witter Bynner award from the Library of Congress, the Castagnola award from the Poetry Society of America, and several Pushcart Prizes.
“What Light” FAQ
Q: What is your preferred format for receiving poems?
A: Word docs (with .doc following the title) or pasted into the email. Those are best. I can’t deal with PDFs or .docx at all. If you have put all your poems together in one doc (which you don’t need to do), use real page breaks, not just a bunch of returns, to separate the poems.
Q: Should my name be on the poem?
A: No—judging is anonymous. However, I firmly believe that publishers should avoid being nit-picky, so if you have all your poems formatted so that your name is already on the thing, that’s fine, I’ll just remove it. Otherwise, no need to add your name.
Q: Do I need a cover letter?
A: No. I feel reassured when I see “Please consider” etc, though. No need for a bio; I don’t read them. Do put your name on your submission.
Q: Should I resubmit poems that have been previously rejected?
A: That depends. Judges come and go, but the screener, who weeds out about 50% of the poems, remains the same. If your poem got by the screener but was rejected by a judge, it makes sense to send the poem again. If your poem was rejected by the screener, it makes no sense to send the poem again. How can you know the difference? Politely ask the screener (via the poems@mnartists.org address). Do not get upset if the answer is slow in coming.
Q: How do you feel about poems with specific spacing (tabs, spaces, etc)?
A: Personally, I like them. I write them. But online journals in general deal poorly with formatted poems, and “What Light” is no exception. Why? Too many “translations” of the poem—the font, and thus the spacing, will almost certainly be changed before the poem gets to the website. So (sigh) try not to send your fanciest-spaced stuff here. A few tabs we can deal with.--Lightsey Darst
Maria Damon
Maria Damon teaches poetry and poetics at the University of Minnesota, where she is Professor of English. She is the author of many essays on poetry and poetics as well as The Dark End of the Street: Margins in American Vanguard Poetry (Minnesota UP) and the forthcoming Bagel Shop Jazz: Selected Essays for a Post-literary “America” (Iowa UP), co-author (with mIEKAL aND) of Literature Nation, Eros/ion, and pleasureTEXTpossession, and co-editor (with Ira Livingston) of the forthcoming Poetry and Cultural Studies: A Reader (Illinois UP). She is a fellow-traveler in the Flarf Collective.
Poetics Statement: I am enamored of the raw and the “wrong,” the micropoetries of everyday life, and so forth. Favorite poets right now: bpNichol, John Wieners, Adeena Karasick, Kamau Brathwaite, Alan Sondheim, Talan Memmott. What I’m reading right now: a pretty mediocre collection of critical essays on Hans Christian Andersen, and a pretty wonderful collection of Walter Benjamin’s unpublished notes, including a section of “Opinions et Pensées” of his toddler son.
Patricia Kirkpatrick
Patricia Kirkpatrick has published a poetry book, Century’s Road (Holy Cow! Press), two letterpress chapbooks, Orioles and Learning to Read, and books for young readers. Her awards include fellowships from the National Endowment for the Arts, Bush Foundation, Minnesota State Arts Board, Jerome Foundation, and, in 2006, the McKnight Fellowship Loft Award in Poetry. Poetry is forthcoming in The Poets Guide to the Birds, edited by Judith Kitchen and Ted Kooser, Prairie Schooner, and on Saint Paul sidewalks through the Saint Paul Everyday Poetry Project. She teaches in the MFA program at Hamline University where she is Poetry Editor for Water-Stone Review.
Poetics Statement: I’m a lyric poet: we want to sing! I’m intrigued when a ‘highly charged lyrical phrase,' colloquial even plain language, and/or experimental velocities express the inner life, dream and feeling. But the inner life takes place in a world where one civilization overtakes another, where ‘progress’ fractures landscapes, ways of life, and poetry too. Certain subjects interest me: birth, death, landscape, the historical moment in which we live, our power--or lack of power--as Americans. Yet no subject works separately from how a poem is made, and the creation of music and metaphor in poetry mean everything to me.
Carol Muske-Dukes
Carol Muske-Dukes is author of seven books of poetry, most recently Sparrow, a National Book Award finalist published by Random House, 2003. Her fourth novel, Channeling Mark Twain, from Random House, is in stores now. Carol’s collection of essays entitled Married to the Icepick Killer, A Poet in Hollywood was published in August of 2002. Her collection of reviews and critical essays, Women and Poetry: Truth, Autobiography and the Shape of the Self was published in the “Poets on Poetry” series of the University of Michigan Press, 1997. She is a regular critic for the New York Times Book Review and the LA Times Book Review. Her work appears everywhere from the New Yorker to L.A. Magazine and she is anthologized widely, including in Best American Poems, 100 Great Poems by Women and many others. She is professor of English and Creative Writing and founding Director of the new PhD Program in Literature and Creative Writing at the University of Southern California. She has received many awards and honors, including a Guggenheim fellowship, a National Endowment for the Arts fellowship, an Ingram-Merrill, the Witter Bynner award from the Library of Congress, the Castagnola award from the Poetry Society of America, and several Pushcart Prizes.
“What Light” FAQ
Q: What is your preferred format for receiving poems?
A: Word docs (with .doc following the title) or pasted into the email. Those are best. I can’t deal with PDFs or .docx at all. If you have put all your poems together in one doc (which you don’t need to do), use real page breaks, not just a bunch of returns, to separate the poems.
Q: Should my name be on the poem?
A: No—judging is anonymous. However, I firmly believe that publishers should avoid being nit-picky, so if you have all your poems formatted so that your name is already on the thing, that’s fine, I’ll just remove it. Otherwise, no need to add your name.
Q: Do I need a cover letter?
A: No. I feel reassured when I see “Please consider” etc, though. No need for a bio; I don’t read them. Do put your name on your submission.
Q: Should I resubmit poems that have been previously rejected?
A: That depends. Judges come and go, but the screener, who weeds out about 50% of the poems, remains the same. If your poem got by the screener but was rejected by a judge, it makes sense to send the poem again. If your poem was rejected by the screener, it makes no sense to send the poem again. How can you know the difference? Politely ask the screener (via the poems@mnartists.org address). Do not get upset if the answer is slow in coming.
Q: How do you feel about poems with specific spacing (tabs, spaces, etc)?
A: Personally, I like them. I write them. But online journals in general deal poorly with formatted poems, and “What Light” is no exception. Why? Too many “translations” of the poem—the font, and thus the spacing, will almost certainly be changed before the poem gets to the website. So (sigh) try not to send your fanciest-spaced stuff here. A few tabs we can deal with.--Lightsey Darst
Every Man a Medici
Author Michael Thomas Ford has launched a website to raise money for writers and to draw attention to the lack of funding for working writers generally. At www.dollaraword.com he's writing a novel one word at a time, as he gets sponsonship from individuals like you. Give him a dollar and he'll write another word. Give him a thousand and get a chapter or so. When the money runs out, so does the novel--even in the middle of a sentence. You can read the beginning of the book here.
So dust off your checkbook and become a patron of the arts. If he gets enough money to finish the book and is able to sell it to a publisher, Ford will end up donating $100,000 to various organizations which support authors. At the very least, tell your friends about the project and discuss Ford's big question: What is art worth?--David E
So dust off your checkbook and become a patron of the arts. If he gets enough money to finish the book and is able to sell it to a publisher, Ford will end up donating $100,000 to various organizations which support authors. At the very least, tell your friends about the project and discuss Ford's big question: What is art worth?--David E
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